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落魄科学家李问天为爱隐忍，入赘豪门成为家庭主夫，却被妻子许半夏及其家人百般羞辱。当许半夏的初恋顾淮之回国后，李问天和女儿李念念被无情抛弃。绝症发作之际，李问天揭露自己的真实身份……。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。女主为了赚钱帮妈妈治病，答应当男主情妇，为期三年，期满，女主恢复自由，不用再假扮男主的白月光初恋，但男主不愿意，要求续约，女主拒绝。 白月光的出现阻碍了二人进一步的关系，然而，最终男女主一起，识破了女二和男二的诡计。。