佐佐木希图片

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。一次偶然中，苏蔓（张钧甯 饰）和自己曾经的暗恋对象宋翊（贾乃亮 饰）重逢了，心中旧情复燃的苏蔓毅然决然的辞掉了前前途一片大好的工作，“潜伏”到了宋翊所在的公司成为了一介小小职员。苏蔓的顶头上司是名叫路励成（钟汉良 饰）的男子，同时他也是宋翊最大的竞争对手。 一门心思想要接近宋翊的苏蔓和路励成之间闹了不少的矛盾，但是，随着时间的推移，苏蔓身上那种永不言弃的精神竟让路励成为其深深着迷。终于，鼓起勇气告白的苏蔓获得了宋翊的积极回应，见此情况，伤感的路励成默默退出。许怜霜（韩熙庭 饰）的出现让苏蔓和宋翊之间的感情产生了裂痕，与此同时，路励成重新出现在了苏蔓的身边。。