我在灵魂摆渡里朝九晚五

Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。电影讲述了一个名叫莉莉的女孩的故事。在她二十岁生日这天，她被奶奶告知自己将要继承一种神秘的家族技能。在继承仪式中，她意外的回到了18世纪的日本。在那里，她来到一个被恶毒艺妓威胁着的小村。因为喜欢上了村中的一个小伙，莉莉决定保护村子。而她唯一的武器，是一把剑，和只有露出胸才能能施展的杀人术。。