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テレビシリーズ第5話を『ウルトラマンUSA』と『ウルトラマン 恐怖のルート87』の併映で公開。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。出租汽车司机马卫中和昔日恋人白梅的私情让白梅的丈夫―中学教师韩树怒火中烧，他决心做一了断。晨练的人们在小树林中发现一男一女两具尸体，其中男的是马卫中，现场的种种迹象及死者的有关线索表明：韩树是第一嫌疑人。这起恶性杀人案件引起了有关领导的高度重视，公安局长感到压力很大，要求邢警队限期破案。刑警队长张玉贵接受案件后，立刻组织警力展开调查，韩树的作案动机和时间逐渐清晰…… 面对指控和证据，韩树承认是自己杀了马卫中。办案的警员向上级领导汇报了案件的侦破情况，刑警队获得了嘉奖。但队长张玉贵却认为此案疑点重重，总感觉有什么地方不对，可在局长的压力之下，他并未坚持自己的看法。不久，通过对另一死者的调查，真正的凶手很快被抓获，这让刑警队陷入了困境。不但实际办案的警员要受到查办，直接领导也要承担责任，而此时张玉贵眼看就要被升为副局长。是掩盖真相还是主动承认，张玉贵选择...。