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四个被生活摁在地上摩擦的女孩…… 一个丑，且任性，受尽排挤； 一个胖，且执着，梦想当演员，受尽嘲笑； 一个讨好型人格、结婚狂，却在情人节，被男友劈腿； 一个散打黑带“暴躁姐”，被迫相亲，一言不合踹骨折！ 四人以不同方式进入“女神集训营”，遇见各路大神导师， 在魔鬼培训和奇招怪法的洗脑过程中，四个女孩貌似化茧成蝶却自我迷失， 她们无意中发现了导师们精心策划的一个骗局，由此揭开一段不为人知的尘封往事……。This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。